Ol’ George #84: Like Sonny
Notes on #84:
1. Somehow, I was always meant to love jazz. It’s hard to discover it growing up in the suburbs in the 70’s and 80’s, but I enjoyed anything jazz-like that I heard on the radio, like Sonny Rollins’ solo on the Rolling Stones’ record “Waiting on a Friend “ in 1981. I didn’t really get into Sonny until I went full-on into jazz in my early twenties, but the connection was swift and deep and permanent.
When he passed away a few weeks ago, I knew I had to do a tribute and dusted off an old “hep cat” idea. I had to reference this genius, but which era? Late-life white Afro? Late ‘60’s Mohawk? Full beard?
And I decided that my depiction of the Saxophone Colossus would be ink & brush with watercolor, while the rest of the strip would be the usual felt tip pen & colored pencil. These are skills that I am not a master of, but I did it and live with the mistakes. That’s supremely important.
Sonny was a perfectionist in an improvised medium. How does that work? He was always finding something to say in the moment. It was never perfect…there is no perfect…but it was genius on call. Every sound from his horn was surprising. This is why I pity those who don’t enjoy jazz. So much popular music is formulaic and repetitive. Give in to spontaneous joy!
We listen to 50, 60, 70+ year old recordings and hear a man making sounds that you never heard before and neither did he.
2. When I first conceived George, I had this litany of characteristics and it all leaned toward the curmudgeonly. A strip like this shows him at his happiest. He’s vocalizing along with Sonny’s great calypso number from Saxophone Colossus (1956), St. Thomas, and I have to say that if you hear that recording and neither move nor groove, well, I have to wonder about you. It should inspire a second line parade every time it is heard.
3. In 2001, I took custody of a cat for the first time in my life and I called her Hepzibah, after the French skunk in Walt Kelly’s Pogo. Next up was a shy little girl black cat that I named Naima, after John Coltrane’s tune. A 4-year old ginger sweetie stepped into my life next and he was named Rollie Boy. Some years later, his doppelgänger walked into my world and was dubbed Sonny Boy and for years I had both Sonny and Rollie in tribute to my favorite tenor saxophonist.
4. I have one more thing to say: listen to Sonny.






















