Ol’ George #99
Notes:
1. I feel as if I shouldn’t and yet I must explain this one a little. Here we go. 95 had Balonious admit he was 86’d from Wilting Turnip. 96 showed how that happened, while introducing the concept that the world of George and Kelly’s is unique unto itself. 97 had George complain that he wasn’t in 96. In our last, 98, George complains to I, the creator, Irma joins in with her own issues, and somehow, two other characters, Chester and Gavin, know that I am the one to bring their concerns.
And here was my crossroads. End it there, leave it alone, go no further, or find a way to link it to #100? I knew what I wanted #100 to be, the fifth installment of Fine Art Funnies. (Still a secret.) I found the path. Balonious learned he was a character in a comic strip back in #35..:did he tell the others? It becomes an untenable situation. So, what happens in the penultimate panel? It all goes back into the inkwell. My reality is undone. There is some confusion and perhaps remorse at the end. Not from George, though, who has survived the purge. George is eternal.
Is this the end? Don’t be silly. Just wait and see.
2. I don’t use a bottle of ink often. I mainly employ pens and markers. The figures of Balonious, Geni, Riblet and Cuddles are all inked with a brush marker, which sets their look apart. The penultimate panel uses a brush and India ink, for the lines and squiggles.
3. Last week, I drew myself without glasses, this week with, what gives? That’s just how I am, they’re on, they’re off, etc etc.
































